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Sal Cannestra's Department of Amusement

by Sal Cannestra

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1.
They might as well be another species So uninformed, so proudly blank But what the hell? What were you thinking? That French tuck it ain’t foolin’ anyone Never gonna get with your drugstore readers Every line is out there on display Never gonna get with your drugstore readers Close up shop, call it a day It’s all so silly, but her elbows laid you low Is there a hidden camera? Is this all some prank? You can feel the smirks forming behind your back Cuz that French tuck, it ain’t foolin’ anyone Never gonna get with your drugstore readers Every year is out there on display Never gonna get with your drugstore readers Close up shop, call it a day You can see, the lights go out behind her eyes She can sense what you already know, She’s not missing anything It’s all about superfluous beauty It’s a cold and vain eternity Destined. to relive. my addled essence Laid out at once for all to see Never gonna get with your drugstore readers
2.
Invisible syllables Standing in for principals Memories in jeopardy Sacrificed to reveries You’ve been nickeled and dimed Not listening, just belittling Classical conditioning Standing proud, talking loud But reaching out is not allowed You’ve been nickeled and dimed Hung up on a line Just wasting time
3.
Doors open at seven. Last call is at four But it’s barely eleven as I sneak out the door Don’t know how you do it. I’ve never heard the call So afraid you’ll see through it... You can try hard or not try at all It's all the same when you start to fall The path of least resistance Is the bane of my existence Cuz I'll always try and do The easiest, thing to do It’s all so exhausting and yet nothing’s at stake Forgoing the frosting for want of a cake The crowd grows quiet. The batter steps to the plate All his decision Swing for fences or not swing at all Only you can make the call The path of least resistance Is the bane of my existence Cuz I'll always try and do The easiest thing... There's comfort in persistence That seems to offer some assistance But I'll always try and do The easiest thing to do The crowd grows quiet The batter steps to the plate All his decision Swing for fences or not swing at all Only you can make the call
4.
A dirty sixth floor walk up, windows smudged and cracked The view across your alley another kid just staring back Your parents had their reasons for leaving your life behind And if you don’t understand them, best to block it from your mind The wind is howling down your street, shoes shot full of holes And those kids that don’t like you, question if you’ve got a soul And no matter what the prize may be, this price is way to steep The lights go out but you don't dream, at best you’d call it sleep I guess you could call it sleep This language is relentless, it scrambles up your head And those laundry bags you’re dragging might as well be full of lead The gas light makes you drowsy, and the dust just makes you cough And that hunger in your stomach never seems to drop off Moments of tranquility never last that long And you know when he’s not shouting that a smack is coming strong No matter what the prize may be, this price is way to steep The lights go out but you don't dream, at best you’d call it sleep I guess you could call it sleep Someday you’ll be all grown-up, and you’ll get the hell away To a place that’s more forgiving, where hope can light the way Where there always is enough to eat, and room enough to play You catch yourself wasting time, there’s work to do today No matter what the prize may be, this price is way to steep The lights go out but you don't dream, at best you’d call it sleep I guess you could call it sleep
5.
Take these words of love From English to German German to French French to Spanish Then back to English And let’s see what’s left.
6.
Hired Hand 04:17
Anita and Mick, Donald and Nick Sweet baby James, such a fox A thousand broken hearts In the house of blue lights Always pressing to turn back the clock That hole in yer gut don't care how it’s filled Push it enough and it’s gonna bleed How drunk we must be To set our bodies free Best to just follow his lead Can you love the hired hand? Rise up and take a stand Walk like there’s someplace to go Like there’s someplace you gotta be Uh-huh, oh yeah Uh-huh, oh yeah Burroughs and Borges, Norman O. Brown Nothing’s as simple as it seems Try to engage like it’s all the rage Stare all you want, it won’t reveal what it means
7.
Dad listens to a talk show On a brand new radio That he bought about a week ago Hold fast to feral memories It’s all so -extrasensory Emergent technologies You're charging fast, headed straight uphill Always moving, never standing still Windshield wipers tap out the tempo To a song you knew oh so long ago You read the map by the radio’s glow Past the Stop & Shop, past the Circle K Your escape is never far away Just don’t forget there’s no reason to stay You’re charging fast, headed straight uphill Always moving, never standing still Muscle car séance Bringing spirits to life Past the Stop & Shop, past the Circle K Your escape is never far away Just don’t forget there’s no reason to stay Muscle car séance Bringing spirits to life Muscle car séance Bringing spirits to life Muscle car séance Bringing spirits to life
8.
You think you’re special? You’re nothing special Anyone can do what you do Cuz those chords and that voice Are never gonna see things through What you need to push it over, you know there’s just a chosen few So you head to the back of the queue Uh-huh-huh You’re only as good as the one on the throne They’re the folks who make sense of it all Pulling together your well-worn threads Decoding your illegible scrawl Open up your point of view, no matter how meager or small And just flat out kickin’ the stall Uh-huh-huh So you gotta give the drummer some Give the drummer some You gotta give the drummer some Give the drummer some cash There are times they’ll brush you off, but you know it’s never personal You’re a friend, but then again sometimes it’s transactional Just forget it, you won’t regret it cuz it sounds so subliminal Bordering irrational Uh-huh-huh Give the drummer some cash Try to make it last
9.
All I’ve got is this photograph of your voice To keep me company through the night There was time I swore that I touched you but it was just smoke and mirrors after all I hope there’s still time for me to catch you before you slide Down blue heron drive Where’s that person I once knew The one who turned left whenever I said right Someone took her and left you here The eyes are still blue but the smile ain't right I hope there’s still time for me to catch you before you slide Down blue heron drive We all have decisions we have to make You can live in the dark, or you can switch on a light You can keep mining your body for gold Or go to the well though you know that it’s dry I hope there’s still time for me to catch you before you slide Down blue heron drive
10.
The ferry’s such a pleasant ride Did it just ‘bout every day Then spent my time on the sides Trying to stay above the fray Fortunes gained and fortunes spent, A lifetime's to be lost All that matters are these friends, So hold on at any cost It’s never gonna be the same, But we'll get through in spite Didn’t want to play their game,And maybe that's alright Mostly never dreaded work There are puzzles to be solved And they’re mostly nice most of the time If you’re mostly uninvolved Fortunes gained and fortunes spent, A lifetime's to be lost, All that matters are these friends, So hold on at any cost Never gonna be the same, And I'll be forever glad Never gonna be the same, And maybe that ain’t so bad Think you know just how This road is gonna bend But soon you come to realize None of this matters in the end It’s never gonna be the same, But we'll get through in spite Didn’t want to play their game,And maybe that's alright Never gonna be the same, And I'll be forever glad Never gonna be the same, And maybe that ain’t so bad
11.
Ahistorical - ain't no precedent for this Try as I might to walk in the light It's in darkness you find your bliss Metaphorical - try to find a way inside Wracking my brain to access the pain That's forever along for the ride You say you want a killer Well you best leave me behind You say you need a killer I'm not the murdering kind Categorical - it’s time to for us to part But I know that it’s not real, these things that I feel in my head but not my heart You say you want a killer Well you best leave me behind You say you need a killer I'm not the murdering kind Allegorical - hoping it makes some sense Twisting my thoughts, connecting the dots Trying to not cause offense You say you want a killer Well you best leave me behind You say you need a killer I'm not the murdering kind
12.
She’s driving in circles stuck in the roundabout I’m riding shotgun staring at my phone Dreams are lost at such a cost, the sun can’t melt this permafrost There’s nothing but doubt No one should have to go it alone I never wanted to get in the way She lays in bed, heart pounding in her ears I drift off serenely in my sleep A million plans still are pending, a million threads in need of mending To silence those fears Who’ll hold the rope when you dive in deep I never wanted to get in the way She’s watching me fade away in her rear view I’m on the shoulder staring at my phone The warm sunshine lies just ahead, a cooler breeze, a softer bed Where everything's new No one should ever have to go it alone I never wanted to get in the way
13.
In your mind it’s just a little conversation You didn’t think it sounded like a confrontation before you knew what you had done Your words had sucked out all the fun Please think first and save yourself a lot of pain If you’re not smart you’ll craft yourself a mausoleum Locked inside where no one ever gets to see ‘em Just a thought as you hit the bar You’re not as bright as you think you are So please think first and save yourself a lot of pain cuz no one wants to do this all over again Clever kids ain't so cute as they grow older Being alone's no fun as they days grow colder How many chances before you're through So tired of the likes of you please think first and save yourself a lot of pain cuz no one wants to do this all over again
14.
Fictitious remedies, implanted memories Marking time till you can help me get rid of these Anonymous tendencies, interdependencies Trying hard not to worship accessories Please won’t you please take a word from the wise Love is never lost and nothing ever dies (Please won’t you please take a word from the wise) Feeling bereft inside, nothing left to hide All too soon I might cross the last divide Just my stupid pride, left to coincide With all these thoughts I can’t push to one side Please won’t you please take a word from the wise Love is never lost and nothing ever dies Nothing ever dies Nothing ever dies Fictitious remedies, implanted memories Fictitious remedies, implanted memories Please won’t you please take a word from the wise Love is never lost and nothing ever dies
15.
Lyrics by Mike Nesmith Tell me, just one more time the reasons why you must leave, Tell me once more why you're sure you don't need me, Tell me again but, don't think that you'll convince me. Now you've said, Before falling in love again you'd rather be dead, 'Cause when someone breaks your heart, you cry your eyes red, But there's nothing so hard about the life that you've led. As far as I can see, There's no reason for goodbyes, You're just running scared, And that's something I won't buy. So you lose, I won't let you go with nothing to show but more blues, And all this talk about leaving is strictly bad news, So you settle down and stay with the man that loves you. As far as I can see, There's no reason for goodbyes, You're just running scared, And that's something I won't buy. So you lose, I won't let you go with nothing to show but more blues, And all this talk about leaving is strictly bad news, So you settle down and stay with the man that loves you.
16.
Take Fulton past William, the station’s on your right Gold exits into Maiden, take Front Street straight on through the heights Take Nassau up to Beekman, follow Cedar down to the piers Water turns into Pearl Street, turns into Saint James, then disappears You may think things are better But blind eyes will never see There’s just one thing to remember Nothing is free Stay away east of A is what they said at the time From C to D was not for me, don’t even think it, not on their dime Suffolk, north of Delancey - rubble as far as the eye could see If you get lost east of Essex, just be warned you won’t blame me You may think things are better But blind eyes will never see Just one thing to remember Nothing is free

about

I know, I know - it is a LOT to deal with. 16 songs. Over an hour of music. I guess you could consider a double album? Does that make it more digestible? Sure, let’s go with that.

credits

released November 4, 2022

THE BAND FOR THIS RECORDING WAS:

SAL CANNESTRA – Vocals, guitars, percussion

PETE DONNELLY – Bass, all those keyboards, percussion

MIKEY ERG – All those drums

With special guest JASON VICTOR – Guitars on ‘ Call It Sleep’ and ‘A Rough Translation’


Recorded and Mixed by PETE DONNELLY at Katonah Sound (November, 2021 – August, 2022)

Mastered by JUSTIN PERKINS at Mystery Room Mastering

Design and Layout by PETER SANTA MARIA

Department of Amusement Logo by DAVE BAMUNDO

Cover photography by MARILYN WEBER


ALL SONGS WRITTEN BY SAL CANNESTRA, except

‘Some of Shelly’s Blues’ written by Mike Nesmith

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Sal Cannestra New York

It'll all be here, eventually.
Band stuff available here: thethirteen.bandcamp.com

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